Facing some inconvenient truths.
I always seem to be in the minority, on the outside, swimming against the current.
Saturday, May 31, 2025
Today’s musing minute - from my FB page. Facomg some important inconvenient truths.
Today's musing minute - art as woke social philosophy
Today’s musing minute
Clearly, art is often a vehicle for social philosophy, even
propaganda. The extent to which a work appeals to its viewers depends very much
on the conscious and unconscious values that they hold dear, that they relate
to, that motivate and energize them in their imagination of a better world.
I found the series both interesting, amusing and
frustrating. Interesting because it is full of beautiful talented actors doing
their thing against a backdrop of a beautiful affluent neighborhood. Amusing,
because the situations are sometimes cleverly ironic, also sometimes sad, in an
exaggerated but familiar way. But, also, very frustrating, because of the
constant, but unmissable, sub-text of social criticism and perverse moral
judgement resonant with the “social justice” credo pervasive within the
chattering class of our current society.
The story is rather simple. Andrew Cooper (Coop), [John
Hamm], is a regular hard-working ambitious American guy who makes good, better
than he could have imagined, and gets to live the “good life” in a fabulously
affluent suburb, with his glamorous wife and two slightly troubled kids. Except
that the “good life” turns out to be not so good, full of stress and spite and
trivialities, which Coop only comes to realize after suddenly losing his job as
a superstar hedge fund manager, having earlier lost his marriage and become estranged
from his kids. The series is about how he tries to cope with the new calamitous
world in which he finds himself. Now, suddenly in his life, everything is dark.
I will leave those details to the show. A driving theme,
emphasized by Coop’s recurring eloquent third-person narrative to the viewing audience,
is the revelatory value of what has happened to him. As a consequence of these
unnecessary losses (a result of misallocating his time and energy by pursuing
misguided ambition for material and status-achieving goals) his eyes are opened
by degrees to the hitherto hidden reality of his pathetic existence as a “rich
person”.
In his new reality staring poverty and deprivation in the
face, he begins to realize the offensive nature of his friends’ lives,
particularly their penchant for acquiring useless mega-expensive stuff, which
they never use, and sometimes don’t even remember they have. Zero-sum thinking
is seductively present throughout this. I could almost here the script writer
thinking: “they have all this stuff while so many good folk are struggling and starving.
Its unjust, isn’t it?” One could almost hear the “social justice warriors”
cheering.
So, as if motivated by this, Coop decides, since they don’t need
all this useless treasure (watches, paintings, jewelry, … ) he might as well
steal them, and fence them for a fraction of their market value, in order to
bridge the financial gap in his fractured life until he can figure out something
else. Coop the narrator suggests he should have known better, but not because
it was after all, theft, and clearly and blatantly immoral, but because the
system is rigged atainst him.
He gets greedy and finds his circumstances getting more and
more entangled, ultimately facing a charge for a murder he did not commit. In a
scene near the end of the final season’s episode, he confronts the person who
has framed him for the murder, and asks her why she was prepared to sacrifice
his life for her purposes. To which she illuminatingly replies, “because you don’t
deserve that life!” in contrast to herself who worked up from the bottom and
sacrificed more than he did to get it. And, strange to tell, Coop admits he
basically agrees with her – his illuminated conscience speaking aloud.
I saw many aspects of an upside down morality. One of
particular interest was the common misconception of the nature of “value” –
what it means, what it is. So, when Coop makes contact with a tough, no
nonsense inner city woman (who somehow seems to be Jewish) who is an expert
fence for stolen goods, she lectures him about not understanding the value of
real concrete physical things as against the (imaginary?) value of the pieces
of paper he is used to pushing around in his hedge fund job. She is saying to
him, you have left the imaginary world of parasites on Wall Street and now find
yourself in the scary real world of objective merchandise.
So, when suddenly, things turn back around, and Coop is
offered his old job back plus more, and is in a position to return to the $100K
membership country club, and all the other good things, he strings things along
before dramatically deciding to turn his back on this cesspool of richness and
return to the honest, decent, socially just job of burglarizing his neighbors. Are
the viewers supposed to applaud his clarity, his courage? Am I being cynical
and uncharitable? You can decide.